Galerie Pierre Séguin
Une galerie de passion, au service de l'art
A gallery where passion and art meet

Tel. : 514.453.9530  /  1.877.453.9530  -   galerie@pseguin.com

61, Grand Boulevard, L'Île-Perrot, Québec, J7V 4W3 Canada


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In whatever one does there must be a relationship between the eye and the heart.

Henri Cartier-Besson

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J.W. Waterhouse: Garden of Enchantment
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The Diffusion of Visual Art in Provence
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Picasso Cézanne at the Musée Granet in Aix-en-Provence
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Visit at the Salvador Dali Museum
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Napoléon at the museum
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Warhol Live
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Yves Saint-Laurent, the artist
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Cuba at the Montreal Museum of Fine Arts
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Renoir Landscapes
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The Artists' Techniques
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Bottero and Laramée at the museum
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Art & Artists

Original or Reproduction?
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Figurative or Abstract Art?
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The Mediums
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Encaustic Painting
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Art Price and Artist Value
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Do you need to insure your art works and how?
 

Golden Age of Couture: Paris and London,
1947-1957.

Here we are, back from another journey in a museum. This time we went to the Musée national des beaux-arts du Québec who is presenting until tomorrow only the exhibition Golden Age of Couture: Paris and London, 1947-1957.

We could admire more than 250 original creations of renowned French and English couturiers. 

In addition to satisfying our visual curiosity, we learned interesting things on fashion and history.

Did you know that. . .

·       The French couturiers of that time emphasized the women curves by padding the bottom of a jacket, for example, to amplify the hips; by sewing a very large bow on a dress, on the small of the back, to give more volume to the buttock. Other days, other ways!

·       The French imposed cuts that were not necessarily appropriate for any silhouette and the English proposed cuts that would adapt to the various women figure. 

·       It was difficult to move when wearing Dior’s garments that were very tight at the shoulders or at the hips whereas the English who were designing dresses or suits that aim to be more functional.

·       The textile selected by the French couturiers was much lighter to allow drapes whereas those of the English designers which were heavier to better shape the garment.

·       A fashion show was following an invariable sequence: day dresses at the beginning, then cocktail dresses, followed by evening gowns and at the very end the wedding dresses.

·       The cocktail dresses could be more sophisticated (tulle, bows, etc) because, during a cocktail, women were not sitting and by such could not damage the garment.

·       A sewing women team worked 8 hours per day during 3 weeks to bead the wedding dress of the queen.

·       An evening gown could be sold the equivalent of 3-year wages of a workman. 

·       The ready-to-wear lines appeared during the post-war period because it was more difficult then to sell made-to-measure garments at exorbitant prices. But ready-to-wear was not what we currently know; the designer was providing a canvas copy of the garment with a limited reproduction right. 

·       It is during the post-war period that designers started to create shoes that match the garments, and accessories of all kinds appeared too: perfumes, jewels, etc.

It is always with pleasure that we discover the treasures presented in a museum and a great satisfaction to acquire more knowledge.

April 25, 2010

 

Articles

Decoration

Framing Posters
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One painting, two mouldings
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Where in the House

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The art of framing
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Can we mix styles?
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I redecorated my home, where should I hang my artworks?
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Formats, colours, and walls
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Trends 2009 in Framing

 

Trends in Decoration

The National Home Show was taking place at Place Bonaventure last March. You could find there all the actual trends. Obviously, it was the place to find the latest thing in decoration.

But who’s creating those tendencies? You’re right, the artists do. And before being trend and having a large diffusion, like the framed posters, they are original works. I include in “original works”, the limited editions, should they be paintings (silkscreen print or litho) or sculptures.

The example might seem broad, but Monet or Picasso posters were necessary produced from original works. The creators of tomorrow are in gallery today. It is time now to get their original works. I do not claim that each and every artist will have the fame of those mentioned above but a work of a professional artist always remains a sure value.

The artworks below are examples of works you can find in our gallery.

 


Cosgrove
Silkscreen print, artist proof
26,5" x 33"

Salvador Dali
Toromachi, lithograhy 21/250
22" x 30"

Andreï Zadorozny
August 29, circa 1950, mixed media
24" x 32"

Chui Wang
Venise, oil
24" x 30"

Links The Montreal Museum of Fine Arts

Musée national des beaux-arts du Québec

National Gallery of Canada

Salvador Dali Museum

 

 
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