Galerie Pierre Séguin
Une galerie de passion, au service de l'art
A gallery where passion and art meet

Tel. : 514.453.9530  /  1.877.453.9530  -   galerie@pseguin.com

61, Grand Boulevard, L'Île-Perrot, Québec, J7V 4W3 Canada


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Golden Age of Couture: Paris and London,
1947-1957.

Here we are, back from another journey in a museum. This time we went to the Musée national des beaux-arts du Québec who is presenting until tomorrow only the exhibition Golden Age of Couture: Paris and London, 1947-1957.

We could admire more than 250 original creations of renowned French and English couturiers. 

In addition to satisfying our visual curiosity, we learned interesting things on fashion and history.

Did you know that. . .

·        The French couturiers of that time emphasized the women curves by padding the bottom of a jacket, for example, to amplify the hips; by sewing a very large bow on a dress, on the small of the back, to give more volume to the buttock. Other days, other ways!

·        The French imposed cuts that were not necessarily appropriate for any silhouette and the English proposed cuts that would adapt to the various women figure. 

·        It was difficult to move when wearing Dior’s garments that were very tight at the shoulders or at the hips whereas the English who were designing dresses or suits that aim to be more functional.

·        The textile selected by the French couturiers was much lighter to allow drapes whereas those of the English designers which were heavier to better shape the garment.

·        A fashion show was following an invariable sequence: day dresses at the beginning, then cocktail dresses, followed by evening gowns and at the very end the wedding dresses.

·        The cocktail dresses could be more sophisticated (tulle, bows, etc) because, during a cocktail, women were not sitting and by such could not damage the garment.

·        A sewing women team worked 8 hours per day during 3 weeks to bead the wedding dress of the queen.

·        An evening gown could be sold the equivalent of 3-year wages of a workman. 

·        The ready-to-wear lines appeared during the post-war period because it was more difficult then to sell made-to-measure garments at exorbitant prices. But ready-to-wear was not what we currently know; the designer was providing a canvas copy of the garment with a limited reproduction right. 

·        It is during the post-war period that designers started to create shoes that match the garments, and accessories of all kinds appeared too: perfumes, jewels, etc.

It is always with pleasure that we discover the treasures presented in a museum and a great satisfaction to acquire more knowledge.

 

April 25, 2010

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